(Theatrical Release + Dillon Cut)
"Friends don't quit."
There's always been something remarkably fascinating and profound about the historical/oppressive complexity that embodies our subsequent perceptions of memory vs. history, but then of its context surrounding indigenous lands (and its indigenous inhabitants); more specifically, the exposing of truth (ex: a concealed history of colonialist exploitation & equal atrocities) through the tearing down of the artificial curtain. A simulated reality, if you will (as with the rewriting of colonial history), that forces its…
