"It's getting light. I'm going to sleep."
After Eckhart Schmidt's moody, dreamlike neo-noir Alpha City first drew me in, fittingly, in the dead of night a few years ago, I keep coming back to it, only because I haven't experienced another '80s film that, for me, functions as an effective 1985 blend of the nocturnal vibe of After Hours, the fictional metropolis strangeness of Trouble in Mind, and the music of Yello. Shot entirely at night in West Berlin and…