Aaron White’s review published on Letterboxd:
What a tremendous portrait of the American vagabond uprooted by recession, constantly moving as a means of survival, while simultaneously experiencing the world around her in a way that so few of us ever really do. Chloé Zhao's use of non-actors again elevates her film, giving it a sort of slightly dramatized documentary feel. Hearing the real-life stories of nomads that Fern meets on the road and watching her learn about their ways was enlightening and humbling, showcasing a segment of humanity that is far less reliant on luxuries than I will likely ever be. Joshua James Richard's sweeping, majestic Midwestern cinematography captures beautiful landscapes in wide glory but Zhao knows when to have him come in close to show us the incredible emotional tolls on Fern, thanks to what I believe is a career-best performance by the great Frances McDormand. And Ludovico Einaudi's melancholic and moving score triggered tearful eyes nearly every time it sparingly appeared.
Above all else, "Nomadland" is an inspiration, much in the way that something like "Into the Wild" has always been for me. It offers an awakening to the very real struggles some face in the 21st century, and reminds us that home truly is where the heart is, while no doubt leaving a lingering mark on your soul. Zhao's storytelling approach is truly something special and combined with her unique cinematic eye and gift in editing this film proves that "The Rider" was no fluke and she is one of the most important voices in American filmmaking right now.
"See you down the road."