Zany and poignant at once, Imamura's final film artfully melds the grim undertones of societal realism with ribald fantasy of resurgence, liberation, and contentment. Exercising satire with magical realism in such an effective way, this film exhibits a salacious yet divine celebration of sexuality, identity, and female exuberance while mirroring the absurdity of loneliness in the face of capitalism, class politics, and hidebound social mores.
Lyrical and figurative as much as its whimsicality, from blushing to gushing in a literal…