“the night’s full of weirdos.”
the coolest film i’ve ever seen. it’s not as smooth as the prequel but even more hyper-stylized and visually enticing. wkw made use of the same elements that were seen in chungking but everything is in stark contrast to further noir ideas.
genuinely loved his camera work in this film, which uses a wide angle lens to give the impression of a fish-eye lens. this, in my opinion, demonstrates the distorted view of the world…
“does your memory stray to a brighter summer day?”
a brighter summer day sways back and forth between two extremes—calmness and mayhem, tenderness and cruelty—before leaning decisively in one direction or the other. chiaroscuro nights tucked between soft pastel days, it resides in a transitory realm that isn't quite one thing, nor quite the other, and that atmosphere permeates every aspect of this film.
deriving its english title from elvis presley’s “are you lonesome tonight?” it’s clever how edward yang incorporates…
“I’ll just record it in my little mind camera.”
there is always a certain sadness in nostalgia. the nature of the memories doesn’t matter — whether happy or sad or impactful or minute; they are always a fleeting interpretation of a past that i will never be able to experience again. as i become older, everything i’ve experienced starts to blend or fade away, leaving only clear images that whirl about in my head as i try to travel through…
this is not satire it's a documentary my gay friend group literally acts like this???
