Lol how is the new Salem’s Lot joint gonna top this
From my 2021 Fantastic Fest diary at Crooked Marquee:
“The knee-jerk response is to call Netflix’s latest teenage slice ‘n dice offering There’s Someone Inside Your House a nouveau-I Know What You Did Last Summer, which makes some sense on the surface level. But from Stephanie Perkins’ 2017 young adult novel to Henry Gayden’s screenplay adaptation to Patrick Brice’s direction, There’s Someone Inside Your House speaks with an expanded vocabulary from that of the sardonic Kevin Williamson teen slasher of…
When doing true crime docs, it’s always good to present the viewer with a general grasp of the culture and climate surrounding the crime. It’s what makes the awful police response to the Yorkshire Ripper murders understandable (not forgivable, but understandable in a cause-and-effect sense); Netflix’s The Ripper works well to highlight the victims and to highlight the fact that the killer could have been caught far sooner had it not been for an explicit bias among both law enforcement…
While performing, Spencer Tracy used to occasionally hit his marks by explicitly incorporating them into his mannerisms. He’d shove his hands into his pockets, shuffle towards the target, and take a beat or two to regard the spot on the floor upon his arrival before continuing with his delivery. The mark itself wasn’t visible in the frame so onscreen, the whole event appeared unique and profound. But behind it was a simple, practical ruse.
In & Of Itself operates a similar…