The last film Danièle Huillet saw released in her lifetime (with three others finished posthumously) is one of Straub-Huillet’s most cinematically formal and politically literal works. Commissioned to pay tribute to Roberto Rossellini’s Europa ‘51, the couple produced a film that, on its surface, bears almost no resemblance to the neorealist Golden Lion nominee. In Rossellini’s film a boy ends up dead because Ingrid Bergman’s character loses sight of him. Bergman decides to dedicate the rest of her life to…