Bit shocked at how linear and... straightforward this was? Or at least as straightforward as a 140 minute rock opera from Leos Carax and Sparks about a murderous Bo Burnham exploiting his wooden child for professional gain could be, I guess.

What really got me was how much every scene, every single frame, was just oozing with human emotion and so much life. And fellas, that is just the way I like it. As William Friedkin might say; "cinema is back!".