Lyd’s review published on Letterboxd:
So great. Crazy how you feel like you know KJ intimately by the end despite never actually seeing her face.
What a life to live, too- there’s something so fulfilling about this being a sort of « greatest hits » compilation of her work. At the same time, you’re seeing all of the locations where tragedies occurred and the individuals who suffered and you yourself start to feel the secondhand trauma of the videographers. Film is just powerful like that. Totally transcendant.
I love this art form why am I even rating it