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  • So Pretty

    So Pretty

    Often dazzling, would be completely mesmerizing if it weren’t so fucking frustrating. Who knows maybe I’ll write down why at some point, but for the moment I’ll just bring up Samuel Delany’s suggestion that no art can be great if it doesn’t show where the money’s coming from—this obviously goes double for a movie about communists (or whatever). Ie it’s not *that* they eat kerrygold butter, but that I literally don’t know where they get the money to buy that…

  • College



    Ambles along as weaker Keaton, then:

    "Colored Waiters Wanted"