Favorite films

  • The Irishman
  • Before Sunset
  • Raw
  • The Red Shoes

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  • Blow Out

    ★★★★

  • Blow-Up

    ★★★★

  • The Irishman

    ★★★★★

  • Prisoners of the Ghostland

    ★★

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  • Hereditary

    Hereditary

    ★★★★★

    I’ve seen this a few times before I had letterboxd. This would be my eighth time watching Hereditary. I first saw this amazing movie back with my friends in June 2018. The beginning gave everyone creepy vibes and from that one scene, everyone gasped in theaters. No one made a sound or a word till it was over. Even when it was over, we just sat for a little bit before anyone said anything or moved. Ari Aster is already one…

  • Woman in the Dunes

    Woman in the Dunes

    ★★★★★

    Woman in the Dunes executed everything flawlessly. The complex character dynamic, incredible dialogue. The black & white cinematography and score adds on to the uncomfortable claustrophobic atmosphere of this hellish hole. We feel the sand's presence around us. It feels as if you’re in the dunes with them, nonstop agony. The sand is one giant metaphor for our existence. We can’t decide how we want to live our lives.

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  • Blow Out

    Blow Out

    ★★★★

    Dude went all through that just to get the perfect audible scream for his movie.

  • Blow-Up

    Blow-Up

    ★★★★

    My first Michelangelo Antonioni film. Catchy tones, flashy designer clothes and a dick of a photographer. An ignorant wanker obsessed with his passion of photography. He captured a disturbing event that might’ve taken place. Don’t have a lot of thoughts on this one at the moment. Will need to sit on this one.

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  • The Irishman

    The Irishman

    ★★★★★

    The last mafia film of its kind. The main actors featuring Robert De Niro, Al Pacino and Joe Pesci under Martin Scorsese’s vision of the gruesome life Frank Sheeran had lived. The Irishman is one of the best films and I’ll say that till I’m in my grave. The life experience of being a mobster and having loyalty to Jimmy Hoffa by painting houses in a bloodshed way. 

    The Irishman’s criterion disc is presented in its original aspect ratio of…

  • Last Night in Soho

    Last Night in Soho

    ★★½

    Despite loving Thomasin McKenzie and Anya Taylor-Joy, the screenplay wasn’t enough to advance their performances from taking it to the next level. It’s mostly Anya dancing, drinking, walking around. Thomasin freaking out every few minutes by ghosts. I haven’t seen Repulsion but Last Night in Soho felt like a modern Repulsion remake just by knowing its concept. The final cut came out as a rough draft with beautiful cinematography and score playing in the backyard to disguise the layered mess. Wright tends to struggle with the third act of his movies but all three acts came out unappealing and underwhelming.