Independence Day: Resurgence

On July 2nd, they arrive. On July 3rd, they strike. On July 4th, we fight back. On June 24th, 2016, we…wish they had won.

In the summer of 1996, Roland Emmerich’s “Independence Day” reinvented the alien invasion genre for the blockbuster era, using newfangled digital technology to make a B-movie big enough to bring the whole world together. Its reputation may be overinflated by millennials who subsist on a steady diet of their own petrified kitsch, but Emmerich’s war of the worlds has nevertheless come to represent a type of full-bodied studio spectacle for which we all ought to be nostalgic. In fact, the self-described “master of disaster” seems really pissed at the people who aren’t. His lazy insult of a sequel — threatened since the day the first movie first cast its long shadow over America’s multiplexes — is ultimately nothing more than a giant middle finger to a generation of ungrateful moviegoers who didn’t appreciate how good they had it: “If you ingrates thought that was bad,” Emmerich cackles from behind the camera, “you ain’t seen nothing yet.”

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