davidehrlich’s review published on Letterboxd :
“The emotions you are having are not your own, they are someone else’s. You are not the cat — you are inside the cat.” So begins Josephine Decker’s “Madeline’s Madeline,” an ecstatically disorienting experience that defines its terms right from the start and then obliterates any trace of traditional film language, achieving a cinematic aphasia that allows Decker to redraw the boundaries between the stories we tell and the people we tell them about. The result is an experimental movie with the emotional tug of a mainstream hit, a fragmented coming-of-age drama that explores the vast space between Hollis Frampton and Greta Gerwig in order to find something truly new and ineffably of its time. This is one of the boldest and most invigorating American films of the 21st century.