Wine Country ★★½

A pleasant and perfectly watchable comedy that would have died on the vine in theaters, “Wine Country” is casual viewing done right. Like so many Netflix Originals, Amy Poehler’s effervescent feature directorial debut is best enjoyed on a soft couch, after a hard day, and with a large glass of pinot grigio in each hand. While there are occasional notes of heaviness — as there must be in any honest account of the joys and miseries of getting so much older than you ever thought possible — this light but knowing story about six women struggling to get over themselves and celebrate each other is just fermented enough to leave you buzzed.

Written by Liz Cackowski and Emily Spivey, “Wine Country” establishes its premise with a hyper-efficient opening montage that lays all its cards on the table. Rebecca (Rachel Dratch) doesn’t want to make a big deal about turning 50, but Abby (Poehler) — a neurotic micro-manager who’s desperately trying to ignore the fact that she just lost her job — wants to make the biggest deal about it. That casual birthday weekend Abby’s planning in Napa? It just became a do-or-die mission to reassert some control over her life.