Information overload in complete association of macro/micro naturalistic and artificial images in which the digital framework creates a bridge between ancient and futuristic modes of filmmaking.
It's as small as it's constantly becoming more expansive with each new image and sound it introduces.
Probably one of my favorite pieces of contemporary experimental cinema.
to De Palma, the key always in the references.
What if Phylis Dietrichson from Double Indemnity could get out of the hallways of Cannes and recognize, not only that she is inside a picture, but that she can tear down the entire fabric of cinema going from the “prestige” to the “trash”, intertwine the two and make them unrecognizable from the other and fool the director himself in thinking that he has all the pieces of the plot that follows…
I find the romantic ideal of the poor being the more “close to Earth” than all of us peasants and their struggle being just part of their spiritual journey to self enlightenment more repulsive with each new entry of these indie darlings in the wave of vague anti capitalist narratives that do everything in their power to make you believe that a company like Amazon actually care about its workers.
But what did you expect from someone who takes the…
