It’s not often that a Sundance sensation or any film festival entry lives up to the lofty expectations placed upon it by patrons. Having quietly contemplated Korean-Canadian Celine Song’s delicate directorial debut, I too will sound hyperbolic about it being quite possibly the best film of 2023. Believe the hype! Every single frame of the elliptical narrative contains a great deal of emotional intimacy between two central characters whose paths diverge at childhood.

Rogers TV Review: https://bit.ly/3oYsaRB