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  • Nosferatu the Vampyre

    Nosferatu the Vampyre


    English-language version.

  • Il cavaliere misterioso

    Il cavaliere misterioso


    A fast-paced, exciting swashbuckler about Casanova from Mario Bava's mentor that's about as unlike Fellini's version as could be imagined, and very much like a proto-Bond thriller, especially the more fleet-footed, stripped-down 007 of DR. NO and FROM RUSSIA WITH LOVE.

Popular reviews

  • Hold Back the Dawn

    Hold Back the Dawn


    Excellent mix of comedy and melodrama from a Wilder/Brackett script and directed by Mitchell Leisen, one of the lesser-known masters of Golden Age Hollywood. More of an earnest social message than Wilder usually allowed himself, maybe because this was pre-Red Scare. There's also an ingenious framing device, not unlike DOUBLE INDEMNITY and SUNSET BOULEVARD, but especially intriguing here for how quasi-"meta" it is. DeHavilland and Boyer are also a little looser in their performances than you'd expect from what is ultimately, essentially, a traditional love story.

  • The Day of the Jackal

    The Day of the Jackal


    A childhood favorite--it's been in the back of my mind to rewatch this ever since I read of Steven Spielberg claiming its influence on MUNICH (so, obviously, for a while.) It clearly is that in the vintage and the locations, which are beautifully captured by Jewish European emigre Fred Zinnemann--I wonder how he felt about this extensive return tour of the Continent? Another possible influence--or at least point of comparison--is NO COUNTRY FOR OLD MEN, in the procedural, show-the-scenes-other-movies-leave-out approach…