Favorite films

  • Céline and Julie Go Boating
  • The Seventh Victim
  • Daisies
  • Suspiria

Recent activity

All
  • Sherlock Holmes and the Deadly Necklace

    ★★★

  • The Skull

    ★★★½

  • Flight to Mars

    ★★★

  • Night of the Eagle

    ★★★½

Recent reviews

More
  • The Door with Seven Locks

    The Door with Seven Locks

    ★★★

    Lilli Palmer and Leslie Banks really help this Edgar Wallace mystery, as both are incredibly charismatic in completely different ways. Banks’ character is not unlike his epic performance as Count Zaroff in The Most Dangerous Game: here he’s also presiding over a spooky mansion and menacing a group of guests while playing the amicable host. Banks’ character is a spunky adventuress trying to figure out why a stranger mailed her a mysterious key. When asked why she’s so intent on…

  • The Phantom Speaks

    The Phantom Speaks

    ★★★

    This is basically a spiritualist twist on the “scientist returns from the dead to seek revenge on those who betrayed him” plot: a medium concocts a plan to bring the spirit of an executed murder back from the dead, which goes about as well as you’d expect. The one interesting stylistic touch is the use of creepy organ music when the medium is being possessed, which sets the mood nicely. The actor playing the medium (Stanley Ridges) actually does a…

Popular reviews

More
  • Woman of the Ganges

    Woman of the Ganges

    ★★★★

    A crucial hinge point in the Lol V. Stein cycle/ India Cycle, Woman of the Ganges is not only the first film of the cycle, but also begins to expand outward from the zero-point of her novel L’Amour, in which the narrator’s voice is stripped to the absolute minimum, a bare description of setting and actions.

    Duras states in a voice-over at the beginning (over a black screen) that Ganges consists of two films: the “image film” and the “film…

  • So Big!

    So Big!

    ★★★★½

    Movies like this are why I love the pre-code era so much—not just because of the permissiveness or lack of moralizing, but also the ramshackle approach to plot construction in early 1930s films. This film skips around time—we get snapshots of Stanwyck’s life as a little girl, a young schoolteacher, a married farmer’s wife, and then a widowed farmer with a grown son. The film resembles nothing less than an Ozu film in its approach to plot events: significant events…