Synopsis
In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
2014 Directed by Ana Lily Amirpour
In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
Elijah Wood Josh C. Waller Reza Sixo Safai Justin Begnaud Daniel Noah Alexei Tylevich Ana Lily Amirpour Sina Sayyah Ben Conrad Daniel Grove Patrick Grove Nick Moceri
女孩半夜不回家, Dokhtari Dar Shab Tanha Be Khaneh Miravad, دختری در شب تنها به خانه میرود, دختری در شب تنها به خانه می رود, Meitene viena naktī dodas mājās
everything about this movie is perfect. but my personal favorites are
- the cat
- the disco ball scene
- "death" by white lies
- her haircut
- the cat
a sad vampire skateboarding down the roads of a neo-western ghost town is the only way ive ever wanted to live my life
Sometimes before you fall in love or at the very beginning of falling in love there are signs and wonders whereby what is coming to pass signals itself to you because something so vast and so powerful could not happen without announcing its presence, its necessity, its inherent factualness. Much of our lives it seems are spent in conditions of obscurity, of might-be, of might-have-been, or was-but-is-gone-now, so when there is a falling-in-love, one that is real love, true love, one which will forever alter you, which will not leave you in the condition it found you in, even if after that fact it falls away, it becomes part of the architecture and ruin of the past which we call…
Like a jazz infused fevered dream, this twisted fairytale shows what happens when Little Red Riding Hood and the Big Bad Wolf turn out to be the same person.
A Girl Walks Home Alone at Night is a subversive horror tale in which role reversal makes for an interesting shift in the usual power balance so predominantly present in the genre (or most genres for that matter). The beauty of this monochromatic gem is, however, that it is never on the nose about what it tries to convey.
With a slow burn subtlety it manages to evoke a sense of dread caused by the titular character and in the mean time create a destitute ghost town which feels more like…
need me a feminist vampire sk8r girl who appreciates cats and music like that 😩
i. mothers tell their daughters not to go out after dark.
ii. the secret to a vampire is that they are human. they will make you believe that they are more than human. they are otherworldly and beautiful and eerie and strange. but look closely into their eyes. you will see the desperation and the yearning and the hunger.
iii. she is not your metaphor or allegory. she is not imbued with righteous fury but instead with deep sadness. she does not exist in our morality. she's a question mark after a sentence, the haze that rises in a early morning, a flickering street-lamp that dances across your face. she doesn't talk too much. she doesn't need to.
iv. there's…
It's nice that this doesn't settle for its lead vampire as a symbol of moral rot stalking a corrupt society or, conversely, vengeance against same. But it also doesn't really do anything else besides be gorgeous, occasionally letting its pieces click together into something thoughtful like the way she finds her moral boundaries blurring as she interacts with different people. It's funny and beautiful and mostly disorganized and definitely overlong, but as stylish mood pieces go you could do a lot worse.
how did this movie know my #1 sexual fantasy is arash marandi buying me a burger and tenderly piercing my ears