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Lost in Translation, or should I say Communication? Cameron Crowe's filmography is so frequently tossed in the ring with filmmakers who started with canonical masterpieces and slowly declined off the deep end, but maybe it isn't that he's lost his touch, instead not really knowing how to speak his mind, for fear of the current response. Aloha is an oddity in that it freely, openly commands a space in your heart even if your logical synapses reject it. Amy Pascal's comments on the finished product ("It never, not even once, ever works.") really only resonate in the realm of its narrative issues and connective tissue, of which there are plenty, and the "if you get it, you get it."…