2021 Directed by Mia Hansen-Løve
An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.
Dietmar Güntsche Charles Gillibert Erik Hemmendorff Julio Chavezmontes Rodrigo Teixeira Olivier Père Martin Rohé Charlotte Dauphin
ARTE France Cinéma Dauphin Films Piano RT Features SCOPE Pictures Neue Bioskop Film CG Cinéma Film Capital Stockholm Gotlands Filmfond Plattform Produktion Svenska Filminstitutet SVT Talipot Studio
Bergmana sala, Bergman Island - Kohtauksia eräältä saarelta, Bergmans Ø, La isla de Bergman, L'illa de Bergman, Το Νησί του Μπέργκμαν, Kohtauksia eräältä saarelta, האי של ברגמן, Bergmanov otok, Bergman szigete, Sull'isola di Bergman, ベルイマン島にて, ბერგმანის კუნძული, 베르히만 아일랜드, Wyspa Bergmana, A Ilha de Bergman, Остров Бергмана, Bergman Adası, 伯格曼岛, 柏格曼的島
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sweet, meta scenes from a marriage about the trials and tribulations of writing and how film nerds are the absolute worst. vicky krieps and mia wasikowska are OUTSTANDING
A young Parisian filmmaker whose delicately personal work (“Eden,” “Things to Come,” “Goodbye, First Love,” et al.) illuminates the unbearable lightness of being with the soft touch of a late summer breeze, Mia Hansen-Løve may not be the first 21st-century auteur who comes to mind when people consider the portentous legacy of Ingmar Bergman, a man whose cinema stared into the void in the hopes of seeing its own reflection, and shouted down God’s silence with such howling rage that even his comedies are probably still echoing in eternity. From a distance, the idea of Hansen-Løve shooting an homage to Bergman feels like the equivalent of, say, Kacey Musgraves recording a covers album devoted to the Swedish doom metal band…
tired: having a bad time on regular vacation
wired: having a bad time on esoteric vacation
a must-see for any and all Bergman Babes! rich interrogation of his life’s work translated into a naturalistic romantic drama. oftentimes, the more i read/learn about a [usually male] artist i admire, the less enamored i am by them. thorny, devious, sometimes cruel; interesting as characters, as ideals, as archetypes, but unpleasant to think of them as real people who inflicted real pain instead of immaculate gods.
it’s refreshing to see a nuanced and empathetic filmmaker like mia hansen-løve explore this layered idea, the tightrope of balancing reverence with restraint, of separating myth from material. there are SO many films about artists blurring the line between reality and fiction, and mia still manages to extract something totally new and viable. adding the omnipresent…
Better than actual Bergman movies because Bergman movies don’t have ABBA songs
(please no one take this dumb joke review seriously)
My heart skipped two beats, one for Anders Danielsen Lie and the other for The Winner Takes It All
