2011 Directed by Nicolas Winding Refn
Driver is a skilled Hollywood stuntman who moonlights as a getaway driver for criminals. Though he projects an icy exterior, lately he's been warming up to a pretty neighbor named Irene and her young son, Benicio. When Irene's husband gets out of jail, he enlists Driver's help in a million-dollar heist. The job goes horribly wrong, and Driver must risk his life to protect Irene and Benicio from the vengeful masterminds behind the robbery.
Ryan Gosling Carey Mulligan Bryan Cranston Albert Brooks Oscar Isaac Christina Hendricks Ron Perlman Kaden Leos Jeff Wolfe James Biberi Russ Tamblyn Joe Bucaro III Tiara Parker Tim Trella Jimmy Hart Tina Huang Andy San Dimas John Pyper-Ferguson Craig Baxley Jr Kenny Richards Joe Pingue Dieter Busch Chris Muto Rachel Dik Cesar Garcia Steven Knoll Mara LaFontaine Teonee Thrash Ralph Lawler Show All…
Gigi Pritzker Marc Platt Adam Siegel Frank Capra III Michel Litvak Garrick Dion Jonathan Oakes John Palermo James Smith
Catherine Harper Christopher Moriana Lon Bender Robert Fernandez Kerry Ann Carmean Dave Paterson Victor Ray Ennis Peter Zinda Krissopher Chevannes
FilmDistrict Bold Films Marc Platt Productions OddLot Entertainment Motel Movies Newbridge Film Capital
Drive - Get in. Get out. Get away, Acción a máxima velocidad, Řidič, Gázt!, Risco Duplo, Fúria sobre Rodas, Draivs, Heroj ulice, Drive: Живот на скорост, Drive: Acción a máxima velocidad, 드라이브, Живот на скорост, Jízda nadoraz, Drive: El escape, Ohtlik sõit, رانندگی, Sang-froid, דרייב, Vožnja, Drive - Gázt!, ドライヴ, დრაივი, Važiuok, Drive - Risco Duplo, Cursa, Драйв, Vozi!, Возач, ขับดิบ ขับเดือด ขับดุ, Sürücü, Tay Lái Siêu Hạng, 亡命驾驶, 極速罪駕, 落日車神
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DRIVER leaves his apartment to the noise of Desire's "Under Your Spell", which has been nonsensically playing at Standard and Irene's party next door to the zombied joy of their guests. DRIVER looks to their door, to see if perhaps the staff at Pitchfork had robbed the place and left their iTunes playlist behind.
IRENE: Hey
We pause for 4 seconds, as IRENE must calibrate her emptiest gaze in an attempt to convey longing, and match DRIVER's own highway speed emptiness disguised as longing.
DRIVER: Hi
We pause for 5 more seconds, IRENE has clearly sensed a staring contest has begun. DRIVER puts on his best Creepface to gain an advantage.
IRENE: Sorry about the noise
5 more…
Do you guys ever wonder how we, as a society, got to and from places before Ryan Gosling invented driving 6 years ago?
well maybe if ryan gosling just listened to vroom vroom by charli xcx and therefore drove a lil faster MAYBE he wouldnt have got into this mess
Yes, I just saw it for the first time
Yes, I loved everything about it
Yes, Ryan Gosling
Y'all are gonna hate me for this but I can't remember the last time I was simultaneously this bored AND turned off by unnecessary gratuitous gore. Elevator scene slaps tho
somehow forgot that this is the best movie; simultaneously romantic, psychotic and fetishistic merging of eurotrash mood piece and ultraviolent 80s crime sleaze. obviously many of the basic ideas here are lifted from hill and mann but what i'm more taken with is how it ingests nastier genre fare of the decade like To Live and Die in LA and Scarface and manages to spit them back out like Le Samouraï. when was the last time a genuine weirdo was given full control to just stylishly reinvent a hollywood genre movie like refn does here? verhoeven? de palma? maybe boorman with Point Blank? i guess what im trying to say is that 2021 we bringing film bro culture back.
me getting ready to drive my friend and i to starbucks in my buick lucerne that smells like bath & body works sun washed citrus while i slide a fiona apple disc into the cd player: there's a hundred thousand streets in this city. you don't need to know the route. you give me a time and a place, i give you a five minute window. anything happens in that five minutes and i'm yours. no matter what. anything happens a minute either side of that and you're on your own. do you understand?
