1. GHOSTBUSTERS, whether good or bad, doesn’t need to be a referendum on female-driven comedies so long as we keep making them anyway.

2. it gives me no pleasure to report that GHOSTBUSTERS is a lazy, uninspired rehash of pre-existing iconography. at a certain point in the movie, the ghostbusters are attacked by their own logo — i sure know how they feel. ironically (in light of the misogyny directed its way), the gender-swap is the only thing this movie has going for it.

3. per Daniel Fienberg: "Nobody’ll buy this, but: If you pre-judge something for a year based on nothing, even if it *does* suck, it doesn’t mean you were 'right.'"

4. Kate McKinnon is indeed delightful, even…

71/100

Kristen Wiig, Melissa McCarthy, Leslie Jones, Kate McKinnon, and Chris Hemsworth. Ghostbusters: Answer the Call has one hell of a cast up its sleeve, and this reboot/nostalgia hybrid succeeds because of the joke-after-joke-after-joke chemistry molded through Paul Feig's streak of modern, witty comedies. He has a knack for taking a room full of varied characters and supplying humor in sharp, frequent bursts. It's a film of improvisation, goofy personalities, spooky thrills, and a gigantic save the city climax. Robert Yeoman's cinematography in particular is brightly fluid and colorful, capturing the otherworldly beauty of portals, silly ghostbusting contraptions, and the various haunted locals with a degree of grace and style. It feels - and looks - like a fun horror…

It feels... empty? There is a disconnect here, something wrong with this film that resides, I think at this time, in the characters. In the dialogue, which is as far from human as possible while still being recognizable words. In the pacing, which gives no time for motivation and development to breath, no time for the world to come alive. Something is introduced, then it is whisked away, making it seem less like settings and myth-building, and more like excuses. The foreshadowing is lacking, perhaps, in the things that will turn out to matter. It doesn't come with surprises; it just makes the film feel abbreviated (despite an engorged runtime).

Perhaps it's the manner of the humor. I don't think…

For the last eighteen months or so, any talk of this film in online forums and blogs has resulted in chaos. The news that Paul Feig’s Ghostbusters movie would feature a gender-flipped cast was met with hysteric cheers from one camp and blind rage from the other, with the middle ground in a state of confusion, indifference, or both. In this period leading up to the film’s release, a surge of insecure misogynists took to their keyboards to rant about Hollywood’s decision to ruin their childhood, and it wasn’t long before the cast, crew and all of the feminist crowd were publicly labelling any and all detractors of the film as sexist man-children – consequently, any criticism of the upcoming…