OUT NOW! Rent it on any VOD platform. Extraordinarily proud of what our team accomplished. If you're an indie film, horror, or noir fan, I'm sure you'll enjoy at least a tenth of it. 
(I wrote it)

I'm glad great indie horror can and still does happen, Greenlight is probably the best indie horror I've seen this year and I don't know if that'll change to be honest. This is a darkly funny, interesting, tense, good little movie. Chase Williamson is awesome and I always enjoy seeing him in films, he's been in solid films almost exclusively. The allegory for how the film industry treats young and upcoming talented artists is very real, it'll always be real and that's a damn shame. But luckily the creative ones aren't always corrupted, as Greenlight proves. I highly recommend it.

"Actually, we don't do horror"
"But I thought you guys just did a horror movie"
"That was different. It was elevated"

3/5 stars

Good little thriller with a great cast. From what I've seen, it seems like this movie does a good job of portraying the life of an indie filmmaker, only with more murder. The ending didn't work quite as well as the rest of the movie, but I enjoyed it.

The plot of the film is really interesting. An eager director gets an opportunity to direct his first feature, but ends up getting more than he bargained for when the producer asks him that the final kill in the movie to be real. The script is very well written, it's packed with intensity, twists and characters that seems unpredictable. Also, Chase Williamson is incredibly good as the lead character. Most of the time, the best performances and ideas are in hidden indie/small budget movies and this one is another proof of that. Impressive noir thriller based story that deals with the darker side of Hollywood.

Through it all, every dollar is on the screen. This movie punches above its weight class with some excellent work on camera and behind it, including two leading performances from Williamson and Browning that really elevate the movie beyond its constraints. We’re shown how hard it can get to get a low-budget movie funded for a newcomer to the genre - in this case it was money well spent and I look forward to seeing what Denman does next.

Also, always happy to see Caroline Williams, who stars in Texas Chainsaw Massacre 2 (which has one of my all-time favorite horror sequences).

Refreshingly, NOT about people tied to chairs and being tortured like the poster had me prepared for. Instead, we get an engaging and fun twist on all the filmmaking hopes and dreams we all have. It's a simple story we've seen variations on hundreds of times before, but this had the foresight to fill it with charismatic performers and keeps its fingers on the pace to make it consistently moving in a fun way. And the best thing about films like this is that they give character actors a chance to shine and standout more than big budget fare, which Chase Williamson and Caroline Williams have proven in other films. Here, Chris Browning really makes an impression, and I hope he finds more featured roles like this.

After watching so many movies back to back of people in a room needing a reason to torture each other, a movie like Greenlight that relies on characters and tension is a wonderful change of pace. We've been selfishly but politely asking for Chase Williamson to have a part in absolutely every movie and this movie will now be exhibit A for when we march down Washington. It's really great to finally see him have a character with depth and range that he's able to execute flawlessly. There were times while watching this film that I found myself uncontrollably yelling at the screen when his character was making questionable decisions but I realized I was so invested only because so much time and effort was spent on setting up this character that I now found myself caring for. Anyway I was really surprised by how much restraint this movie shows. Job well done to everyone involved.

this movie rules because it has 2 of my favorite things; Chase Williamson and narrative snuff. also the villain looks like he's Walton Goggins' rugged cowboy brother and that's great

A broke film school graduate, wannabe director who can’t get a job felt too real 😂. Damn college debt. 

Movie tried to play the main character off as being a talented director but is he?? He never does retakes of anything (even before he’s dealing with the real death plot) and though he cares about directing, he’s totally a whiny dude bro making shitty decisions through most of the movie.

"Actually, we don't do horror"
"But I thought you guys just did a horror movie"
"That was different. It was elevated"

3/5 stars

this is an incredible subtweet of jason blum

A taut, effective indie thriller about the perils of movie making. Both funny and tense in equal measure. This is one to watch.

27/31

It could had been good...

‫عندما يُصبح الحلم رماد

مُخرج مبتدئ يُخرج أفلام قصيرة بميزانيات محدوده حلمه الوحيد هو إخراج  فيلم طويل ، يُفاجئ بمكالمة من شخص يعرض عليه اخراج فيلم اثارة نفسية ‬فيذهب الى هذا الشخص ويقبل العمل لديه  ، بعد مدة زمنية يُجبر هذا المخرج الشاب على تصوير جريمة قتل حقيقية وادراجها ضمن الفيلم | اداء كريس برونينغ مُرعب تقمّص الدور بشكل رهيب واكيد برضوا تشيس ويليامسون اداءه جميل جداً  ، اهم شي انهم جابوا طاري صديقي الممثل الرهيب جيمس فرانكو  ، بالنسبه لدافع الشخص (الممول) الي طلب من المخرج يوافق على عمليه القتل (من وجهة نظره) كان دافع شخصي بسبب ان الممثل كان على علاقه مع زوجته ، طبعا توقعت السبب او الدافع أكبر والنهاية تكون أقوى ولكن بشكل عام الفيلم جيد

Low-budget indie that looks so much better than a lot of others, cinematography- and acting-wise. The suspense kept me guessing til the end.

Really good.

Que capo Chase Williamson, un laburante del cine de terror y de genero under. Me pone contento verlo en lo que sea,

"The production value was low, but it had some good ideas."

👌🏼66%
2020 Ranked

"Greenlight" is such an impressively made movie regardless of it's flaws, it follows a wannabe director on his first time making a feature film only to discover that the producer isn't as good of a person as he might have thought, for a movie about movies it pretty much did everything alright, but ironically my biggest issue with this film is the fact that it feels unprofessional at parts, maybe that's the whole point and of it was then it's a genious move but I think it wasn't on purpuse and sometimes I got distracted, also the film starts pretty strong and lose momentum after half an hour, I would've like to see this film but without the "Evil Producer" plotline, following a young director making his first feature, the things he's scare of, and maybe play on that psychological aspect, but besides that solid movie, could've been better but it was decently good.

The ending let me down but still an enjoyable film for me.