Synopsis
Focuses on the socialization of American females. It tells the story of six women and girls. The first film to emerge from the modern women's movement in the early 1970s.
1971 Directed by Julia Reichert, Jim Klein
Focuses on the socialization of American females. It tells the story of six women and girls. The first film to emerge from the modern women's movement in the early 1970s.
When I watched this film many years ago I had a chip on my shoulder about second-wave feminism due to a few prominent voices from that scene being either outright hateful towards trans woman or struggled to grasp how such a person could exist. My position on this film was unfair, because as a document of its time, and yes, of the shifting tides of second wave feminism and its ideas and activism it is an essential text for the period in documentary filmmaking. Especially when taking into consideration the lens of the subject and the year when it was made. Watching it now it's easy to see that the internalization of ideas of how to be a girl and…
Watched as part of The Criterion Channel's collection Tell Me: Women Filmmakers, Women’s Stories - a series of films curated by guest programmer Nellie Killian. (1/24)
The subjects in Growing Up Female are being asked what sound like very simple, and unassuming questions, such as "should little girls wear dresses?" and "what is the role of a wife?". When responding, not once do you see any of these people second-guess their answer, or their reality. They hold the doctrine of patriarchy as their one and and only truth. Although the documentary doesn't feel particularly eye-opening in 2020, I am left fascinated by a world in which gender norms are accepted as fundamental, inescapable truths of human life. Boys play with…
“To me, feelings about myself may be kind of dominated - I mean about me as an individual - are really dominated by me as a wife and me as a mother.”
There’s a sense of inherent doom that comes with being female. The expectation to completely devote yourself to your family at one point or another. It’s not a horrible thought - but it’s the expectation...
Huge respect to Reichert and Klein for incorporating stories across lines of race and socioeconomic status at a time when no one was asking for it. The voice of this still holds up in a massive way.
Forget your slashers, your gorefests, your thrillers - THIS is a horror movie. The scene where a guidance counselor calmly explains that married life is essentially female slavery, while all the light goes out of her 16-year-old student’s eyes - harrowing.
a truly great and comprehensive film, even with such a short run time. just genuinely such a great look ay the state of women, in 1971 and today. it is so painful to look at how much has not changed, and then to be reminded that we are also losing the ability we have to conceptualize and understand and challenge our oppression, that we’re losing our capacity for the kind of consciousness raising that growing up female provides. still, i am glad that works such as these were made and continue to provide us with the opportunity to contemplate the female experience and develop our own class consciousness
interesting how much (and how little) has changed in about a half of a century. this has gotten me excited for the collection on the channel nonetheless!
Men are be duty-bound to watch this film to see how the patriarchal system continues to work in their favor. Now, most sensible men in 2021 aren’t going to say the outrageous things that many of the men interviewed here would, we still have a long way to go (see prevalence of sexual assault / harassment and the wage gape).
men :(
this made me sad. it was both like...a time capsule and also a jarring look at how little has changed. gender is so fake!!!
also we got a little bit of intersectionality as a treat.
Wow thank GOD for feminism. Can’t wait for people to watch doc from 2021 and say the same but wow I hate that this was/is a way of thinking
dziewczyny i kobiety o sobie, o stereotypach, o mediach, portret 6 kobiet nakreślone na tle epoki i własnych wyobrażeń o sobie i życiu, NFR...
The film focuses on the socialization of American women and the effects of stereotypes placed by media, advertising, and personal relationships while following the lives of five young women and girls.
Those interviewed include: Janelle (a 12-year old girl), Terry (a 16-year old attending a vocational school and studying cosmetology), Tammy (a working 21-year old), Jessica Jones (a working 21-year old mother with one daughter) and a Mrs. Russell (a married, working mother of three daughters).
The film has been described as one of the --1st-- first films to emerge from the Women's liberation movement.
I’d love to see either a follow up with the women featured in the film and/or a modern day version of this film to see how much or how little has changed.
Interesting short 1971 documentary that spends time with half a dozen different women at varying stages and asks mostly non-invasive questions about gender roles at the time. Fascinating look at the sort of societal factors that spurred the women's lib movement. Makes a great pairing with an even shorter documentary from the same year called Janie's Janie, which focuses on a single mother of multiple children who has recently asked her husband to hit the road, to find life more difficult than she suspected. Rather than buckling in despair (which would be my preferred strategy) she looks into some neighborhood organizing to help a fledgling day care, and takes on a dismissive electric company. Both films are great.
Forget your slashers, your gorefests, your thrillers - THIS is a horror movie. The scene where a guidance counselor calmly explains that married life is essentially female slavery, while all the light goes out of her 16-year-old student’s eyes - harrowing.
a truly great and comprehensive film, even with such a short run time. just genuinely such a great look ay the state of women, in 1971 and today. it is so painful to look at how much has not changed, and then to be reminded that we are also losing the ability we have to conceptualize and understand and challenge our oppression, that we’re losing our capacity for the kind of consciousness raising that growing up female provides. still, i am glad that works such as these were made and continue to provide us with the opportunity to contemplate the female experience and develop our own class consciousness
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