1991 Directed by Tony Scott
When the girl that detective Joe Hallenback is protecting gets murdered, the boyfriend of the murdered girl attempts to investigate and solve the case. What they discover is that there is deep seated corruption going on between a crooked politician and the owner of a pro football team.
Bruce Willis Damon Wayans Chelsea Field Noble Willingham Taylor Negron Danielle Harris Halle Berry Bruce McGill Badja Djola Kim Coates Chelcie Ross Joe Santos Clarence Felder Tony Longo Frank Collison Bill Medley Verne Lundquist Dick Butkus Lynn Swann Billy Blanks Ken Kells Morris Chestnut Michael J. Fisher Doug Simpson Joe El Rady Donna W. Scott Frank Kopyc Teal Roberts Sara Suzanne Brown Show All…
Bub Asman Rick Alexander David M. Horton Greg Dillon Virginia Cook-McGowan Martin Raymond Bolger Wayne Artman Jayme S. Parker Robert G. Henderson Tom Beckert
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High speed and special ops Thrillers and murder mysteries Crime, drugs and gangsters action, explosives, exciting, action-packed or villain violence, action, guns, cops or killing car, cars, action, adrenaline or racing action, villain, humor, funny or silly gambling, casino, unpredictable, drama or engaging Show All…
"Water's wet. The sky is blue. Women have secrets. Who gives a fuck? You want a beer?"
A truly iconic Bruce Willis performance, a deep love of nasty violence, and some of the most elegantly smarmy dialogue ever make this, in its nihilistic way, one of the most insidiously entertaining (to me anyways) pieces of cinematic misogyny ever. The women are objects in the background, vague symbols of virtue to be earned while the film goes about almost casually dismantling the macho assholes at its mean little core in order to rebuild their "chivalry" a bullet at a time. Their stupid little rituals take a few of those shots too: right from the start a "great night for football" is…
There is a scene in this movie where a man fully engulfed in flames from head to toe is ripped apart by shotgun blasts. Absolute masterclass. Why don't they make movies like this anymore? Beautiful squibs for every bullet hit, gratuitous nudity, a black guy and a white guy, yo mamma jokes, and an uplifting message about how evil NFL owners are.
Mr. Trump please make Hollywood bring back classic movie magic and action films like this!!
God Tony Scott. God Shane Black.
"nobody likes you. everybody hates you. you're gonna lose. smile, you fuck."
tony directs the hell out of this buddy conspiracy actioner that is about as mean-spirited and vulgar and front-to-back filled with ugly violence as something like this gets. the fiery, bloody football stadium massacre finale truly needs to be seen to be believed. genuinely lost my mind when bruce started end zone dancing after [redacted]. feels in many ways like a precursor to what would eventually become the face melting, sleazy american maximalism of something like Bad Boys II.
“it’s called vocabulary, you read much?”
“yeah my subscription to juggs magazine just ran out”
automatic 3.5 stars for that dialogue
Honestly this rocks. Great action, snappy Shane Black repartee, Bruce Willis at the peak of his powers, powerful "dudes rock" chemistry between the leads, and incredible cinematography that nobody even noticed at the time!!! Nowadays, all a butt-ugly, affectless digital movie needs to get a cinematography Oscar nomination is a bunch of shots of Frances McDormand standing in front of sunsets.
"Water's wet, the sky is blue, women have secrets. Who gives a fuck?
Joe Hallenbeck
I fucking love this film more and more every time I see it. An early 90's, hard nosed, action comedy in the style of 48 Hours and Lethal Weapon that see's everyone involved at the absolute top of their game. It was the start of a superb three film run from director Tony Scott, writer Shane Black had just done the afore mentioned Lethal Weapon and it's sequel, while star Bruce Willis had just come through a bit of a rough patch to turn in what is one of my favourite Willis performances.
Willis stars as Joe Hellenbeck, a former secret service agent who once…
A perfect marriage between Black's wannabe hardboiled desires, Scott's bombast visuals and Joel Silver shit blows up idea of action blockbuster. Lots of wounded machismo, a strong undercurrent of conservative nostalgia, so much nasty violence and no shortage of NFL bashing. The plot is non-existent beyond allowing Willis and Wayans, both at their best, to play off each other, but Scott films everything for all its worth. And the gusto displayed as it goes all in at every violent and vile instinct is remarkable. It’s a pretty ugly fantasy of self-hatred and resentment that gets released through as much vulgar displays of violence as the 105-minute running time allows. It starts with Billy Banks as a hotshot running back going…
“I wish the sky wasn’t blue. I wish water wasn’t wet. And I wish I didn’t still love my wife.”
By all accounts, it’s amazing this movie exists at all. Legendarily troubled during production, with Tony Scott having to deal with a despotic Joel Silver*, diva Bruce Willis, and the fact that Damon Wayans apparently hated his new Shane Black buddy noir partner. LETHAL WEAPON cutter Stuart Baird apparently saved the entire film from an unwatchable workprint, but you’d never know as it still feels like one of the purest distillations of Scott and Black’s style. Willis plays antiquated “man’s man” PI Joe Hallenbeck (in honestly his best performance) as this immovable object, plowing through one bad guy after another,…
Not every horrible production yields a horrible film. Profane pop poetry at its sleaziest but I enjoy every bombastic, haze-filled moment of it.
Weirdly lacking Christmas references. Come on, Shane.
Would love to read the original script.
one of the most vile and idiotic american blockbusters.
superbly shot and edited into a pop-art dreamscape by tony scott.
a reprehensible fluke of a film; essential scumbag-core.
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The Last Boy Scout 2: The Last Girl Scout Vs. Satan Claws Directed By Tony Scott Starring Danielle Harris and Damon Wayans Coming To A Theatre Never : (
[Weirdly I would have preferred a more straight Football Noir from Tony Scott, rather than a hyperverbal buddy non-cop fiesta of damaged-later-restored patriarchal authority. The opening sequence is pretty amazing and I was hoping that would be the mystery that was solved, rather than involved Californian Collusion/Corruption re: Legalized Gambling, but in general it worked out ok. Lots and lots of stuff hasn't aged especially well at all because it was never cool to begin with (casual homophobia, fat jokes, retrograde or worse relationship interactions, etc), but what has is glorious…
Action!: The Scott Brothers - 80s Never Dies With Tony At The Helm
Black's writing and direction can be hit or miss. It is always a pleasure to see something new come from him, whether he is at the helm or just penning the project. More than Tarantino, for example, even when someone like Tony Scott is directing his script, his trademarks are indisputable and its influences are very prominent, so the movie turns into a Shane Black film. Speaking of which, the script hasn't aged well with some of the heavy mysogny and Harris cursing like a fucking sailor was just too extreme and awkward for me; despite this, the jokes are for the most part very funny (especially…
