“The Wall of Mexico is an allegory. Perhaps all works of art are allegorical, some more deliberately than others. When a situation is too complex to be satisfactorily analyzed via standard methods (political science, cultural criticism, psychology), the social utility of art is at its highest,” Zachary Cotler said. One can, lacking anything more precise, create an allegory as a sort of loose net to throw over the situation,” Cotler said. What situation?”
The Cotler and Magdalena Zyzak co-directed The Wall of Mexico, with a screenplay written by Cotler, revolves around young handyman Donovan Taylor. Don is hired by the Aristas, a wealthy Mexican-American family with two outrageously decadent daughters. The source of the Aristas’ wealth is an absolute mystery to Don.
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