god this is good.
close to Phoenix in its sensuality, mystery, and enigmatic music cues, but reminiscent of Yella in craft and theme - frequent over the shoulder shots, high angle shots that turn into high angle zooms that turn into counter zooms, often between people and objects, not people and people. And so much water. An early shot evokes to a hauntingly similar degree the early car crash scene in Yella, itself an homage to Carnival of Souls ...
I will say this movie is crying out for Nina Hoss. I haven't been able to board the Paula Beer train though she was great in Transit and really carries off the material here gracefully and with surprising force. Franz…