This review may contain spoilers. I can handle the truth.
Film Companion’s review published on Letterboxd:
This review may contain spoilers.
Honest confession – I struggle with Western musicals because they have too much music in them. Which seems like a ridiculous complaint given that my first love is Bollywood. Song-and-dance is embedded in my DNA. The difference is that in Western musicals, songs are often sung dialogue and the wall-to-wall musicality becomes a slog. Case in point – Les Miserables, which won three Oscars including Best Supporting Actress for Anne Hathaway – but left me cold. So it was with some trepidation that I went into Leos Carax’s Annette.
Annette, like La La Land, A Star Is Born or closer to home, Abhimaan, is a showbiz love story. Henry, a performance artist, and Ann, an operatic soprano, form a swoony, dazzling bond. They share a deep emotional rapport and sexual bliss – in one of the film’s most talked about scenes, Henry sings mid-cunnilingus. At one point, arm in arm, they declare in song and without irony – we love each other so much. But Henry’s feelings for Ann are twisted by a toxic mix of entitlement, self-loathing, aggression and perhaps jealousy that becomes more acute as she becomes more successful. Though that is too simplistic an explanation for what transpires between them.
Read the full review on Film Companion, here: bit.ly/3nOOedO