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  • The Souvenir

    The Souvenir

    The much-anticipated follow-up to her 2013 feature Exhibition finds Joanna Hogg mining her own autobiography to craft a portrait of the artist as a young woman in early 1980s London. Caught between her dreams of becoming a filmmaker and her commitment to a toxic romance, 24-year-old Julie (an excellent Honor Swinton Byrne) comes home each night from film school to the Knightsbridge apartment owned by her mother (Tilda Swinton) only to discover some new, unpleasant surprise proffered by her boyfriend,…

  • Dark Suns

    Dark Suns

    Shot in stark monochrome, Dark Suns chronicles the hundreds of murders of women, journalists, students, and activists in Mexico since the 1990s, and the insidious culture of cartel violence and state corruption behind them. Spanning the notorious femicides in Ciudad Juárez at the northern border to the murders of journalists in Veracruz in the south, director Julien Elie draws on the testimony of determined investigators, family members, journalists, priests, lawyers, and activists, tracing a path of organized and unpunished criminality…

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  • War and Peace

    War and Peace

    From February 15-21, the Film Society is pleased to present a new digital restoration of Sergey Bondarchuk’s seven-hour-plus adaptation of Tolstoy’s magnificent novel. Winner of the 1969 Oscar for Best Foreign Language Film, Bondarchuk’s War and Peace sets the changing fortunes of several aristocratic families against the backdrop of Napoleon’s invasion of Russia. On record as the most expensive Soviet film in history (more than $70 million after inflation), it is also perhaps the greatest epic ever made: an exquisite production of spectacle and realism, the political and personal, that endures as a monumental achievement in filmmaking.

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  • The Other Side of the Wind

    The Other Side of the Wind

    Cinema lovers around the world have been waiting to see this legendary movie for more than 40 years. Orson Welles started shooting in 1970 with a precarious funding scheme, an ever-mutating script, and the lead role of Jake Hannaford, an old-guard macho Hollywood director at the end of his tether, yet to be cast. When he died fifteen years later, the film was not only unfinished but in legal limbo. Almost 50 years after Welles started shooting, Other Wind (as…