Film at Lincoln Center’s review published on Letterboxd:
An enigmatic and richly detailed meditation on the thingness of things, Jessica Sarah Rinland’s film investigates the ambivalent relationship between original and copy through a mysterious array of objects and animals: howler monkeys reintroduced into a national park in Rio de Janeiro; tusks salvaged from a shipwreck and then molded and recast; countless replicas of Greek and Egyptian artifacts. Captured in intimate close-ups and with vivid sound, these obscure acts of preservation and replication are rendered ritualistic, almost devotional, replacing unstable and ephemeral originals with duplicates that attain a kind of mystical perfection.
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