Paul Elliott’s review published on Letterboxd:
Bruce Conner's smartly funny experimental collage develops a unique rhythm all of its very own as it splices together an assortment of stock footage with the intent to provoke and arouse specific emotions. The footage comes accompanied with a musical score which floats between being subtly ominous to energetic and Conner creates the material to be deliberately ambiguous in proposing any definitive meaning. His images generate an overall opaqueness through juxtaposition with a clear lineage to pioneers such as Soviet director Dziga Vertov and his 1929 film Man with a Movie Camera. The film's design has stimulated a wide variety of discussions, and the only thing widely agreed upon is that this is an essential part of the experimental film cannon.