The Disaster Artist

The Disaster Artist

an irk: this doesn’t feel the need to go further than bask in the illustrious acceptance handed to wiseau/sestero, considering there’s no evidence on how other pieces come to play, just disheartening. in this fantasy, they are immediately given the (now) contemporary response.

everything else is amusing with faults, Franco is quite literal, but mockingly. i cannot land a finger on whether this is thee thing that really is spiraling it or if it’s the script itself

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