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Drugstore Cowboy 1989
wish this had even one singular thought that van sant follows through on. otherwise it’s well shot and even quite emotional and funny, has a real bad case of screenwriter brain tho.
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Chelsea Girls 1966
the most honest film, both in terms of aesthetic honesty and ideological honesty. part of this, i believe, is how early this film feels, completely enraptured in perversions by lumiere, dickson, edison, porter, griffith… the way the images consistently reinvent themselves (long static to ever-pulsating gyrations, gyrations to slow moving sterile pans, pans to long static) it is as if they are discovering cinema all on their own. warhol’s films are the fingers of a child, constantly probing the textures, colors, shapes of this new machine and finally discovering a new, incredibly personal way of synthesizing them.
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Picnic on the Grass 1959
how terribly uninteresting the theories of scientists are when the natural world whispers everything we must know! renoir’s simplest and most pleasurable anarchic statement.
