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  • I.K.U.



    The erotic replicant sequel you didn't know you wanted. But where humanity was defined by cognition and the existential, what bubbles to eruption here is the visceral; texture, sensation, a sexual awareness. "Fuck to retrieve" -- bodies aren't packages to be opened, they're hosts to be infected, river mouths dammed, awaiting breach. Each orgasm a currency, and every interaction an exchange of data and pleasure.




    subtle like public masturbation

Popular reviews

  • Trouble Every Day

    Trouble Every Day


    A literal sexual appetite. Contrasting slow pulls with hard push, Denis rips through flesh and paints the veins beneath the skin with the most gentle and finite of brush strokes. These walls breathe and the streets scream. She has a way of giving life to textures and surfaces, but creates doomed space around them where whatever manages to exists is merely a fly stuck in a web too silk-like to see.

  • Sombre



    Darkness all encompassing, suffocating, but not constrictive. Grandrieux's effects grant life on his screen the greatest gift it could receive, which is the lack of boundary. Lines are blurred, borders ripped from the screen- nothing to prevent impending doom from probing in and out like a strobe light. It's anywhere and everywhere, and focus is the focus only when man chooses to tighten his grip on whatever poor soul wandered into his fractured perspective that night. Light has no restriction from entering, it just dares not to.

    Some of the scariest images I've seen on film.