Hoff Matthews’s review published on Letterboxd:
I thought William Petersen’s bare chest superimposed over the Washington Monument was one of the most hypermasculine moments on film, and then I saw the fight/shootout set to “In-A-Gadda-Da-Vida”
I thought William Petersen’s bare chest superimposed over the Washington Monument was one of the most hypermasculine moments on film, and then I saw the fight/shootout set to “In-A-Gadda-Da-Vida”