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  • The Rover

    The Rover

    ★★★½

    As harsh and unsparing as the sun-scorched no man’s land of its setting, The Rover arrives as one of the most hypnotic post-apocalyptic road movies since the first Mad Max. That’s high praise, to be sure, but it’s easy to understand why it’s justifiable when one considers the involvement of writer-director David Michôd, whose Animal Kingdom was 2010’s single most breathtaking debut.

    Here, Michôd proves again why he’s one of the most exciting filmmakers on the scene, suffusing each frame…

  • Late Night

    Late Night

    ★★★

    i didn’t realize hugh dancy was in this at the time but in hindsight hugh dancy has never been hotter

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  • Anna and the Apocalypse

    Anna and the Apocalypse

    ★★★★★

    (•_•)
    <) )╯ WHEN IT COMES TO KILLING ZOMBIES
    / \


    \(•_•)
    ( (> I'M THE TOP OF MY CLASS 
    / \

    (•_•).   WHILE YOU’VE BEEN HIDING
    <) )>   I’VE BEEN KICKIN SOME ASS
    / \

  • On the Basis of Sex

    On the Basis of Sex

    ★★

    "it's not a privilege, it is a cage, and these laws are the fucking BARS, motherfucker"

    reader, i regret to inform you this is one weird-ass biopic. i present the strangest moments, ranked:

    1. in his first scene, justin theroux dances around the aclu, slapping his knees as he at length performs a (self-written?) song entitled, i fuck you not, "i'm a nut"

    2. felicity's brooklyn accent is just her normal british accent but while pretending her jaw's been wired…