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  • In The Heights

    In The Heights

    β˜…β˜…β˜…Β½

    P fun. Not sure what weekend 1 haters were expecting. Like, you know Broadway is just emotionalism maximalism, right? I mean, you already know how you feel about this one before you sit down in the theater. Doesn't do much to either convert or dissuade, although if anything stands out, it's how relatively unrefined LMM still was at this time, particularly as a lyricist. Whatever, this is cheap weepy pap. Here for it.

  • Holler

    Holler

    β˜…β˜…Β½

    Strong, charismatic lead perf and plenty of compositional prowess from Riegel, but pathologically indebted to the school of screenwriting and neoliberal topicality.

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