jacob p-i.’s review published on Letterboxd:
“There’s no good sharks?”
The red light washing over Irene’s face when she admits Standard is getting out of prison.
The way Driver’s hand quivers after telling the guy in the diner he’ll kick his teeth in.
“See you in four.”
The scorpion and the frog.
The duality of man.
Everyone has that film. The one that got them into film in the first place. For me, that film is Drive.