mehdi aka filmzer
Describes human condition and behavior in its purest complexity better than any psychological movie you've ever seen.
Every answer of one's attitude towards a situation is directly reflected by an external attribute.
Symbolism whitout any symbols, the unknow art of straightforwardness.
Life is a confusion, life should be sang, like the wandering poet, entracting every episode in the film.
As reffering to the title of Kiarostami, '' Life, and Nothing More… ''. Life is a series of moments, people are…
this could be seen whitout dialogues, let's start a photo book with Wiig's facial expressions ( yet great dialogues in there, all the talk about car lights )
the airplane scene is a great study of utilitarism.
Puppies ( I think they were Golden Retrievers ) are given like some kind of cookie basket during pre-wedding parties as a goodbye-and-thanks-to be-present gift, that's great.
It's all about retiring from societe, seeking for the perpetual presence of the sublime. Retaining the spirit of infancy to manhood and the kind cinematic figure of Alan Ladd.
Raoul Walsh like Emerson, decribes the nature as the analogical refelection of a human's spirit. You don't look at it with your eyes, there goes the difference between ( la nature-vue et la nature-vecue ). The first is corny, flat, a surface, the second is the anteroom, there were the spirit…