Favorite films

  • Blade Runner
  • Stalker
  • Yi Yi
  • Paris, Texas

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  • The Family Secret

    ★★½

  • The Oklahoma Kid

    ★★★

  • Support Your Local Sheriff!

    ★★★½

  • Trespass

    ★★★

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  • The Ghost and Mrs. Muir

    The Ghost and Mrs. Muir

    ★★★★★

    Pretty much pitch perfect in every conceivable way, from the performances and the direction to the atmosphere and wonderous scoring, though it was the unexpectedly moving ending that suddenly sealed the deal for me as an all time favourite, a denouement of such extraordinary romanticism that I'll happily admit caught me off guard, this light-hearted comedy fantasy with such a daft premise had quietly disarmed all my critical faculties and rendered me a blubbering mess.

    Non-horror ghost stories had already…

  • Platform

    Platform

    ★★★★★

    Zhangke has described Platform as a weight on his heart that if he didn't remove he wouldn't be able to do anything else, a film so epic in scope that it couldn't be his feature debut as intended, but instead became a sophomore effort and his magnum opus.

    Spanning a tumultuous decade that begins in 1979, the film follows the lives of a group of young people during China's Cultural Revolution, a generation swept up by changes so drastic that…

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  • The Family Secret

    The Family Secret

    ★★½

    Whilst Bogart was in Africa making The African Queen with John Huston and trying to avoid dysentery by exclusively drinking whiskey, his short-lived production company Santana shot this cheap and problematic morality play with a noirish plot about an accidental murder by a young law student and the subsequent cover up by his lawyer father.

    The big problem with this is John Derek, an actor whom Bogart obviously had a lot of faith in to carry the picture, though he's…

  • The Oklahoma Kid

    The Oklahoma Kid

    ★★★

    I'm not sure what's weirder—seeing Bogart and Cagney in the same film together, seeing two of the most urban of classic Hollywood's stars together in a western, or the fact that neither of them seem especially out of place once you get used to them carrying guns, wearing cowboy hats and riding horses.

    What's also bizarre about The Oklahoma Kid is that it's a B-grade potboiler, hardly the place to unite two of Warner's most bankable stars—well at least Cagney…

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  • Antoine and Colette

    Antoine and Colette

    ★★★½

    Friendzone: New Wave edition.

  • Welcome, or No Trespassing

    Welcome, or No Trespassing

    ★★★★

    I never would have thought that Elim Klimov, the man behind one of the most horrifying and relentlessly powerful war films, Come and See was making charming satirical comedies twenty years prior.

    I didn't read any reviews on here beforehand, but immediately picked up the Wes Anderson aesthetic and noticed the similarities with Moonrise Kingdom, and seeing that movie mentioned straight away by someone here confirms my suspicions that Anderson has probably seen this and taken inspiration. Klimov's offbeat comedy,…