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  • The Return of the Prodigal Son

    The Return of the Prodigal Son

    ★★★★★

    المرة الرابعة اشوفه منهم مرتين النسخة المرممة. كل مرة بيبقي لسه جديد و مبهر. هيفضل في دماغي ابراهيم بعد ما اتكلم مع علي في اوضته و النور ضلم و ظهر بوستر للقمر ورا ابراهيم. الشخصيات كلها عظيمة عظيمة. من اكتر الحاجات اللي بحبها في شاهين و بقدرها اكتر كل لما بعيد الفرجة هي اسعانته بكتاب و مؤلفين عظام معاه، بيفضل هو المسئول الاول عن الرؤية السينمائية للفيلم زي ما بيكتب علي الافيش، و بيحفظ للكتاب حقهم و يسيبلهم مساحة. سيناريو…

  • On the Beach at Night Alone

    On the Beach at Night Alone

    ★★★★★

    Ending credits had my jaw dropped, still progressing what I have felt and if that was by any means based on a real incident. Couple of minutes later, and I am here reading reviews mainly concerned with Hong's actual affair that I have just read about now. We are totally familiar with filmmakers who are indulged by their own struggles, but personally never came across self expression of love affair, and still can't exactly decide how I feel about that.…

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  • Once Upon a Time in Anatolia

    Once Upon a Time in Anatolia

    ★★★★½

    Kiarostami A-like! Ceylan Is definitely a huge fan of the Iranian filmmaker. Both his films "The Wild Pear Tree" and "Once Upon a Time in Anatolia" have such consistent language of long and wide takes, and very engaging B-rolls.

  • You Will Die at 20

    You Will Die at 20

    ★★★★

    Exceptional filmmaking from beginning to end, and a lot to learn about life and death. Can't believe this is a feature film from a man who lived in a country that knows nothing about Cinema for ages. Truly glad that I witnessed the revival of Sudanese Cinema.