Just watch Clint Eastwood’s Sully.
It is much better!
Haven’t watched the full film, but there’s this great camera move/scene that I wanted to talk about.
20-30 minutes into the film, after a failed drug operation, a woman bursts into a meeting room full of crime bosses, and she tells them how things are going to go within the crime world from here on out.
The camera swings around the room to follow her circling around the table like a shark, catching the faces of her victims while presenting…
Something like a 90s version of Metropolis with a better story. There is an interesting idea running through this film regarding how much of our memory dictates who we become. I suppose in that respect the film is similar to other meditations on memory like Memento and La Jetee. I think there might be something to this whole memory thing considering my love for film, and my first memory being film related. My favorite scene is probably the first scene…