A remarkably structured film. From the outset, it clearly establishes not just the issue of the rice tax, but also the stark power differential involved on either side of the conflict (made clear in the first and only physical confrontation), as well as the different significances that capitulation would mean for each (the sacredness of the rice to the Diola, on the one hand, the requisitioning of it for the French war effort, on the other). Sembene thus presents the…
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Portrait of a Lady on Fire 2019
For a film that’s predicated on gradual seduction and about looking/painting as a conduit for or expression of love, this opts for some rather unproductive presentations of time. The sense of daily ritual is poorly evoked: scenes are given just enough narrative information so we get a sense of the plot, but there’s no feel for duration, or a sense of deepening interplay between the characters beyond what is required to signal such developments. The fireside scene should be a…