[Published September 18th, 2019, Slant Magazine]
Excerpt
Zellweger can reach all the notes and hit all the marks, but Garland’s intense emoting—the sense that, at every moment, she’s drawing on…
Films
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The Wild Goose Lake 2019
The opening salvo of my final TIFF dispatch, which is partly about The Wild Goose Lake, partly about some other movies, but mostly about a work of art that, despite…
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Under the Silver Lake 2018
"This isn't a world that anyone with any sense stays in, or spends much time worrying about." Mitchell disagrees, which is why this slightly too on-the-nose puzzle is finally touching…
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Happy Hour 2015
“When Asako I & II premiered at Cannes last year, a number of critics seemed surprised that the auteur who made Happy Hour would turn to something as superficially pop as…
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