Sean Baker’s review published on Letterboxd :
Finally gave Alice Rohrwacher’s Happy as Lazzaro a proper watch on Netflix. (Wish I was able to see on the big screen because Hélène Louvart’s Super 16 is lush) And it’s one of my faves of the year. What a fantastic follow-up to The Wonders.
Arriflex 416, Zeiss Ultra Prime Lenses
Laboratory - Augustus Color, Roma, Italy
Super 16 mm (Kodak Vision3 250D 7207, Vision3 500T 7219)