loureviews’s review published on Letterboxd:
An early backstage musical with wisecracking girls, a choreographer 'with personality', a gangster producer, a murder, and sweet little Billie (Merna Kennedy).
Brought to the screen from the stage show, this includes Paul Porcasi reprising his role as the nightclub owner Nick, and survives in both silent and talkie versions.
Director Paul Fejos displays an early affinity for the medium, with interesting camera shots and a few sequences which experiment with sound.
The musical numbers are sound enough, although Glenn Tryon is a bit, well, trying when he isn't singing. Kennedy and Evelyn Brent go well enough, and the chorus line are decent, but the plot is confused and doesn't really lift itself from the mundane.
The opening credits are unusual as the giant Devil laughs and stomps around the theatres and clubs of the great White Way. Men of power are corrupt and without morals, and the ambitious girls survive on a smile and the attention of a string of sugar daddies.
There's also a Technicolor sequence, but it is in poor condition and by this time every other film seemed to have a similar showcase to keep the interest.
I liked this one, and the acting isn't bad, while the pre-Code naughtiness pokes through here and there.