Double Lover ★★★★

L’Amant Double is no doubt indebted to De Palma beyond its title. Like the American director did with films such as Body Double and, even more evidently so, Dressed to Kill, Ozon explores psychoanalysis with a schlocky, literal approach and through the use of arresting, graphic visuals. He makes Freud’s well-known (or at least popular) ideas about transference perversely fascinating and cinematic.

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