LWLies’s review published on Letterboxd :
In the broadest sense, it’s a familiar narrative, one that ought to serve as an opportunity for stylistic attack. It sees Claire Foy’s depressed office drone accidentally sectioning herself in a sleepy private hospital. This is the result of intense trauma she has suffered at the hands of a stalker. We all know the tune – we’re here for the virtuosic solos, especially with Soderbergh at the helm. Yet for all the fleetness of foot the lightweight camera affords, very little translates into visual showmanship.