Freelance film writer, French but writing in English.
This review may contain spoilers. I can handle the truth.
What is now most iconic about Sofia Coppola’s THE VIRGIN SUICIDES is the predominant colour in the Lisbon girls’ bedrooms: the pale pink on their walls, the shade of their lipsticks and knickers has even gotten its own name, ‘millennial pink,’ possibly revealing the aesthetic impact this film has had on a whole generation of filmgoers. But what gets forgotten in this superficial praise — countless fashion shoots have taken cues from the close-up on Kirsten Dunst lying on a…